Lisa Lynne & Aryeh Frankfurter are a multi-instrumentalist duo with Celtic Harps, Swedish Nyckelharpa, Ukrainian Bandura, Bouzouki, Cittern and more. They hail from San Francisco and tour extensively, both having successful recording and performing careers built from years of street performing and a background as rock musicians. They have performed with some of the biggest names in folk and acoustic music and have sold well over a million albums combined. Audiences are spellbound and enchanted with their unique show of breathtaking music both Traditional and original, with wondrous stories and humor entwined.
(additional biographies below and workshops offered)
Lisa Lynne is a multi-instrumentalist and performer who has gained worldwide recognition for her original music featuring her Celtic Harp. She is widely acclaimed for composing memorable and heartwarming melodies on the Windham Hiill/Sony music labels that have repeatedly placed in the Top 10 & Top 20 on the Billboard New age music charts. Lisa tours year round performing at large US festivals and performing art centers. Her work in Therapeutic music has gained recognition from NBC, CNN, Fox News Atlanta and numerous newspaper and magazine articles including Wall Street Journal. Lisa’s music is heard throughout the award winning PBS special “Alone in the Wilderness,” amongst many other soundtracks for commercial television and independent films. She performs regularly as a solo artist, with Aryeh Frankfurter, Patrick Ball and the Windham Hill tours. She was recently named one of the 50 most inspiring women by Los Angeles Magazine. http://www.LisaLynne.com
Aryeh Frankfurter’s musical endeavors began at the age of three when he undertook classical training on the violin. His progress enabled him to study under various master violinists, including concert master of the Chicago Symphony He participated both as a violinist and violist in a series of chamber music ensembles under the tutelage of internationally renown cellist, Bonnie Hampton, pianist Nathan Schwartz, teachers at the San Francisco Conservatory of Music, and the late violinist Ann Crowden of the Crowden School of music in Berkeley, CA. Aryeh’s musical development led him to explore various ethnic and international musical genres, particularly Celtic folk music. At the age of fifteen Aryeh was introduced to the Celtic harp, an instrument which has become the focal point of his musical inspiration and expression. Over the interceding years Aryeh taught himself to play a variety of instruments including electric violin, viola, cello, guitar, cittern, mandolin, lap dulcimer and hammered dulcimer, bowed and plucked psaltry, penny whistle, baroque flute, recorder, percussion and more recently the Swedish Nyckelharpa. He works full time as both a performer and audio engineer. He has 18 albums to his credit and two books. He tours full time as a solo artist, with Lisa Lynne, Patrick Ball and the Windham Hill Winter Solstice Tours. http://www.Lionharp.com
Workshops offered by Lisa & Aryeh (detailed info below)
Beginning Harp for newbies (with harps provided)
Music for Therapeutic setting
Playing by ear and composing
Getting your music out into the world
Swedish Music for the Celtic Harp
Swedish and Norwegian music for all instruments
Arranging Traditional music
Recording your music
Lisa Lynne – Beginning harp for newbies with harps provided
A workshop for everyone that has any interest in learning to play the harp! Simple but beautiful songs and patterns will be learned. We will learn basic melodies as well as learn to improvise some of our own! No musical experience necessary to enjoy this fun and empowering workshop. I can bring up to 15 harps of all sizes.
Lisa Lynne – Creating Music for Therapeutic Settings
Slideshow presentation on the history of “Harps for Hearts” an 11 year program that has been successful in placing harps in hospitals and creating programs throughout Southern California.We will learn some useful harp chords and progressions for Therapeutic environments, the art of improvising in any key and choosing or creating appropriate music for every situation. We will share ideas and experiences in playing for hospitals or hospices, and look at the current climate and opportunities for training and tips for playing music in medical settings.
Lisa Lynne – Playing by Ear and Composing
We will learn how you can free yourself from the written page, and understand chord progressions and keys that will always work for improvisation. We will learn how to read and write a simple chord chart, transpose a tune on the spot, learn a song by ear, communicate with other musicians and take a solo in any key. We will learn one or two of my compositions as I share how each was created.
Lisa Lynne – Getting Your Music Out Into The World: for all musicians
We will discuss many aspects of the current music business landscape. Getting gigs, promoting your music, creating visuals, writing a press release, websites, blogging and navigating the social networks. Learn what it takes to share your music in unique venues you might have never thought of. Real world advice and open forum on how you can think outside the box and maximize your opportunities. You will come away with many new ideas on how to get involved in your community and expand your musical horizons.
Aryeh Frankfurter – Swedish Tunes for Celtic Harp:
In this workshop, I will share with you some of my easy and useful tips for creating and developing interesting and evocative arrangements. I will share my approach to the left hand; how to create intros, bridges, and outros and some useful ideas to create movement, lift and apply phrasing and dynamics to any traditional tune. We will then learn some lovely Nordic tunes that work well on the harp and apply these techniques as we go.
Aryeh Frankfurter – Tips for Arranging Traditional Music
In this workshop, I will share some useful tips for creating and developing interesting and evocative arrangements. We will try various approaches to the left hand; how to create intros, bridges, and “outros”. I will share some useful ideas to create movement, lift, phrasing and dynamics to traditional tunes. We will take a couple of very easy tunes everyone can play and apply these ideas to show how they work.
Aryeh Frankfurter – Basic Recording
Every musician should record themselves at home or in a professional studio. From a demo to a final packaged CD, sharing your music on the Internet or just to listen and learn about your own playing, recording is essential to developing your musicianship and professional aspirations. We will go over basic recording techniques for the harp; we will discuss a few salient copyright laws; and go over the basic techniques of creating a good recording for the harp. If time permits we will also discuss the stages of recording from tracking, mixing, mastering, and producing a final packaged CD.